Salwar Suit Designs

Salwar Suit Designs Biography 

Source:- Google.com.pk

Salwar suit is the generic term used to describe the lower garment developed in different regions. These include the Sindhi suthan, Dogri pajamma and the Kashmiri suthan.

The traditional dress of women in Sindh was the lehnga choli, of women in Kashmir was the Pheran  flowing to the ankles, and the peshwaj in Jammu for women, also flowing to the ankles. The traditional dress of women of Punjab was the ghagra choli/kurti/kameez. No one knows when and where the salwar began to be used in the sub-continent. However, the extensive and wide spread use was prevelant in the Punjab with the influence of the Mughals. Punjabis in west Punjab began to wear the suthan. Its use then spread to neighbouring Sindh, east Punjab, Jammu and Kashmir. According to elders, Punjabi women started to combine the suthan with a kurta, and sometimes with a pajamma which would be covered with a ghagra when going outdoors. This tradition, only dying out relatively late in east Punjab: approx. 1950’s circa.Over time, Punjabi’s discarded the use of the suthan in favour of the salwar to be combined with the kameez. It is this outfit which is common all over the sub-continent. and has influenced dress sense all over India People in Jammu have changed the traditional attire from the peshwaj to the kurta and Dogri pajjamma. The Pheran in Kashmir has been combined with the suthan with some people wearing the Pheran to below the knees. Kashyap Bandhu is regarded as the person responsible for spreading the use of the suthan with the Pheran amongst the communities that resisted to adopt its use, eventually leading to the use of the salwar. In Sindh, the traditional lengha choli became to be complimented with the poro and suthan. Needless to say, the suthan and the salwar is also part of men's wear. Elsewhere in India, Muslim communities have traditionally worn the style of salwar worn by the Mughals combining them with Mughal upper garments such as the jamma.

Etymology and history Reama started GOLD in 1987 in the United States. What first started as a hobby has now grown into a coveted jewellery brand, following Reama’s return to Pakistan.Presenting majestic designs for today's modern woman, Pakistani jewelry designer Reama Malik brings her latest GOLD jewelry at PFDC L'Oreal Paris Bridal Week 2011 - Day 2.Latest GOLD by Reama Malik showcased at Day 2 of PFDC L'Oreal Paris Bridal Week 2011 is entitled ‘The Mehr Collection', on Reama Malik’s daughter Mehreen. Reama Malik has crafted truly eye-catching jewelry designs that disclose the concept of timelessness and the Mughal trend. Each jewelry piece contains color coordination of red for rubies, green for emeralds and blue for sapphires. The GOLD by Reama Malik at PFDC L'Oreal Paris Bridal Week 2011 has gold, diamonds and pearls embedded with kundun and polka traditional techniques.Salwar is the generic term used to describe the lower garment developed in different regions. These include the Sindhi suthan, Dogri pajamma and the Kashmiri suthan.

The traditional dress of women in Sindh was the lehnga choli, of women in Kashmir was the Pheran flowing to the ankles, and the peshwaj in Jammu for women, also flowing to the ankles. The traditional dress of women of Punjab was the ghagra choli/kurti/kameez. No one knows when and where the salwar began to be used in the sub-continent. However, the extensive and wide spread use was prevelant in the Punjab with the influence of the Mughals. Punjabis in west Punjab began to wear the suthan. Its use then spread to neighbouring Sindh, east Punjab, Jammu and Kashmir. According to elders, Punjabi women started to combine the suthan with a kurta, and sometimes with a pajamma which would be covered with a ghagra when going outdoors. This tradition, only dying out relatively late in east Punjab: approx. 1950’s circa. Over time, Punjabi’s discarded the use of the suthan in favour of the salwar to be combined with the kameez. It is this outfit which is common all over the sub-continent. and has influenced dress sense all over India  People in Jammu have changed the traditional attire from the peshwaj to the kurta and Dogri pajjamma. The Pheran in Kashmir has been combined with the suthan with some people wearing the Pheran to below the knees. Kashyap Bandhu is regarded as the person responsible for spreading the use of the suthan with the Pheran amongst the communities that resisted to adopt its use, eventually leading to the use of the salwar. In Sindh, the traditional lengha choli became to be complimented with the poro and suthan.Needless to say, the suthan and the salwar is also part of men's wear. Elsewhere in India, Muslim communities have traditionally worn the style of salwar worn by the Mughals combining them with Mughal upper garments such as the jamma.

Shalwar kameez (also spelled shalvar kameez, salwar kameez, or shalwar qameez); is a traditional dress worn by both women and men in South Asia and specially Kazakhstan, Bangladesh , Pakistan and India/South Asia . Shalwar or salwar are loose pajama-like trousers. The legs are wide at the top, and narrow at the ankle. The kameez is a long shirt or tunic. The side seams (known as the chaak), left open below the waist-line, give the wearer greater freedom of movement.

Shalwar (with Kabuli sandals) as worn in South and Central Asia.

A man's shalwar held up to display amount of material needed.

Shalwar are gathered at the waist and held up by a drawstring or an elastic band. The pants can be wide and baggy or more narrow, and even made of fabric cut on the bias.

The kameez is usually cut straight and flat; older kameez use traditional cuts, as shown in the illustration above. Modern kameez are more likely to have European-inspired set-in sleeves. The tailor's taste and skill are usually displayed, not in the overall cut, but in the shape of the neckline and the decoration of the kameez. Modern versions of the feminine kameez can be much less modest than traditional versions. The kameez may be cut with a deep neckline, sewn in diaphanous fabrics, or styled in cap-sleeve or sleeveless designs. The kameez side seams may be split up to the thigh or even the waistline, and it may be worn with the salwar slung low on the hips. When a woman wears a semi-transparent kameez (mostly as a party dress), she wears a choli or a cropped camisole underneath it.

When women wear the salwar kameez, they usually wear a long scarf or shawl called a dupatta around the head or neck. For Muslim women, the dupatta is a less stringent alternative to the chador or burqa (see also hijab and purdah). For Sikh and Hindu women (especially those from northern India, where the salwar kameez is most popular), the dupatta is useful when the head must be covered, as in a Gurdwara or a Temple, or the presence of elders. For other women, the dupatta is simply a stylish accessory that can be worn over one shoulder or draped around the chest and over both shoulders.

The Shalwar kameez is sometimes known as "Punjabi suit," in Britain and Canada. In Britain, especially during the last two decades, the garment has been transformed from an everyday garment worn by immigrant South Asian women from the Punjab region to one with mainstream, and even high-fashion, appeal.

Salwar Suit Designs  Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Salwar Suit Designs Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Salwar Suit Designs Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Salwar Suit Designs Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Salwar Suit Designs Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Salwar Suit Designs Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Salwar Suit Designs Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Salwar Suit Designs Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Salwar Suit Designs Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Salwar Suit Designs Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Salwar Suit Designs Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Kameez

Kameez Biography 

Source:- Google.com.pk

Salwar kameez is the generic term used to describe the lower garment developed in different regions. These include the Sindhi suthan, Dogri pajamma and the Kashmiri suthan.

The traditional dress of women in Sindh was the lehnga choli, of women in Kashmir was the Pheran  flowing to the ankles, and the peshwaj in Jammu for women, also flowing to the ankles. The traditional dress of women of Punjab was the ghagra choli/kurti/kameez. No one knows when and where the salwar began to be used in the sub-continent. However, the extensive and wide spread use was prevelant in the Punjab with the influence of the Mughals. Punjabis in west Punjab began to wear the suthan. Its use then spread to neighbouring Sindh, east Punjab, Jammu and Kashmir. According to elders, Punjabi women started to combine the suthan with a kurta, and sometimes with a pajamma which would be covered with a ghagra when going outdoors. This tradition, only dying out relatively late in east Punjab: approx. 1950’s circa.Over time, Punjabi’s discarded the use of the suthan in favour of the salwar to be combined with the kameez. It is this outfit which is common all over the sub-continent. and has influenced dress sense all over India People in Jammu have changed the traditional attire from the peshwaj to the kurta and Dogri pajjamma. The Pheran in Kashmir has been combined with the suthan with some people wearing the Pheran to below the knees. Kashyap Bandhu is regarded as the person responsible for spreading the use of the suthan with the Pheran amongst the communities that resisted to adopt its use, eventually leading to the use of the salwar. In Sindh, the traditional lengha choli became to be complimented with the poro and suthan. Needless to say, the suthan and the salwar is also part of men's wear. Elsewhere in India, Muslim communities have traditionally worn the style of salwar worn by the Mughals combining them with Mughal upper garments such as the jamma.

Etymology and history Reama started GOLD in 1987 in the United States. What first started as a hobby has now grown into a coveted jewellery brand, following Reama’s return to Pakistan.Presenting majestic designs for today's modern woman, Pakistani jewelry designer Reama Malik brings her latest GOLD jewelry at PFDC L'Oreal Paris Bridal Week 2011 - Day 2.Latest GOLD by Reama Malik showcased at Day 2 of PFDC L'Oreal Paris Bridal Week 2011 is entitled ‘The Mehr Collection', on Reama Malik’s daughter Mehreen. Reama Malik has crafted truly eye-catching jewelry designs that disclose the concept of timelessness and the Mughal trend. Each jewelry piece contains color coordination of red for rubies, green for emeralds and blue for sapphires. The GOLD by Reama Malik at PFDC L'Oreal Paris Bridal Week 2011 has gold, diamonds and pearls embedded with kundun and polka traditional techniques.Salwar is the generic term used to describe the lower garment developed in different regions. These include the Sindhi suthan, Dogri pajamma and the Kashmiri suthan.

The traditional dress of women in Sindh was the lehnga choli, of women in Kashmir was the Pheran flowing to the ankles, and the peshwaj in Jammu for women, also flowing to the ankles. The traditional dress of women of Punjab was the ghagra choli/kurti/kameez. No one knows when and where the salwar began to be used in the sub-continent. However, the extensive and wide spread use was prevelant in the Punjab with the influence of the Mughals. Punjabis in west Punjab began to wear the suthan. Its use then spread to neighbouring Sindh, east Punjab, Jammu and Kashmir. According to elders, Punjabi women started to combine the suthan with a kurta, and sometimes with a pajamma which would be covered with a ghagra when going outdoors. This tradition, only dying out relatively late in east Punjab: approx. 1950’s circa. Over time, Punjabi’s discarded the use of the suthan in favour of the salwar to be combined with the kameez. It is this outfit which is common all over the sub-continent. and has influenced dress sense all over India  People in Jammu have changed the traditional attire from the peshwaj to the kurta and Dogri pajjamma. The Pheran in Kashmir has been combined with the suthan with some people wearing the Pheran to below the knees. Kashyap Bandhu is regarded as the person responsible for spreading the use of the suthan with the Pheran amongst the communities that resisted to adopt its use, eventually leading to the use of the salwar. In Sindh, the traditional lengha choli became to be complimented with the poro and suthan.Needless to say, the suthan and the salwar is also part of men's wear. Elsewhere in India, Muslim communities have traditionally worn the style of salwar worn by the Mughals combining them with Mughal upper garments such as the jamma.

Shalwar kameez (also spelled shalvar kameez, salwar kameez, or shalwar qameez); is a traditional dress worn by both women and men in South Asia and specially Kazakhstan, Bangladesh , Pakistan and India/South Asia . Shalwar or salwar are loose pajama-like trousers. The legs are wide at the top, and narrow at the ankle. The kameez is a long shirt or tunic. The side seams (known as the chaak), left open below the waist-line, give the wearer greater freedom of movement.

Shalwar (with Kabuli sandals) as worn in South and Central Asia.

A man's shalwar held up to display amount of material needed.

Shalwar are gathered at the waist and held up by a drawstring or an elastic band. The pants can be wide and baggy or more narrow, and even made of fabric cut on the bias.

The kameez is usually cut straight and flat; older kameez use traditional cuts, as shown in the illustration above. Modern kameez are more likely to have European-inspired set-in sleeves. The tailor's taste and skill are usually displayed, not in the overall cut, but in the shape of the neckline and the decoration of the kameez. Modern versions of the feminine kameez can be much less modest than traditional versions. The kameez may be cut with a deep neckline, sewn in diaphanous fabrics, or styled in cap-sleeve or sleeveless designs. The kameez side seams may be split up to the thigh or even the waistline, and it may be worn with the salwar slung low on the hips. When a woman wears a semi-transparent kameez (mostly as a party dress), she wears a choli or a cropped camisole underneath it.

When women wear the salwar kameez, they usually wear a long scarf or shawl called a dupatta around the head or neck. For Muslim women, the dupatta is a less stringent alternative to the chador or burqa (see also hijab and purdah). For Sikh and Hindu women (especially those from northern India, where the salwar kameez is most popular), the dupatta is useful when the head must be covered, as in a Gurdwara or a Temple, or the presence of elders. For other women, the dupatta is simply a stylish accessory that can be worn over one shoulder or draped around the chest and over both shoulders.

The Shalwar kameez is sometimes known as "Punjabi suit," in Britain and Canada. In Britain, especially during the last two decades, the garment has been transformed from an everyday garment worn by immigrant South Asian women from the Punjab region to one with mainstream, and even high-fashion, appeal.

In India, the garment was originally confined to the North, but as a convenient and modest alternative to a sari - and also as one that flatters practically any body-type - it has become popular across the nation. By varying the fabric, color and the level of embroidery and decoration, the salwar-kameez can be formal, casual, dressy, or plain; and it can also be made to suit practically all climates.

Etymology and history

Portrait of a Hindu girl from Karachi, Sind, in narrow salwar & kameez. c. 1870. Oriental and India Office Collection, British Library.

Portrait of a Muslim girl from Karachi, Sindh, in a salwar and blouse. c. 1870. Oriental and India Office Collection, British Library.

Hill women, Kashmir, in salwar-kameez. c. 1890.

The pants, or salvar, are known as salvar salvaar or shalvaar  Gujarati, salvaar or shalvar and shalvar  The word comes from the meaning pants.

The shirt, kameez or qamiz, takes its name from the Arabic qamis. There are two main hypotheses regarding the origin of the Arabic word, namely:

that Arabic qamis is derived from the Latin camisia (shirt), which in its turn comes from the Proto-Indo-European kem (‘cloak’).

that Mediaeval Latin camisia is a borrowing through Hellenistic Greek kamision from the Central Semitic root “qmṣ”, represented by Ugaritic qmṣ (‘garment’) and Arabic qamīṣ (‘shirt’). Both of these are related to the Hebrew verb  qmṣ (‘grip’, ‘enclose with one’s hand’).

Garments cut like the traditional kameez are known in many cultures; according to Dorothy Burnham, of the Royal Ontario Museum, the "seamless shirt," woven in one piece on warp-weighted looms, was superseded in early Roman times by cloth woven on vertical looms and carefully pieced so as not to waste any cloth. 10th century cotton shirts recovered from the Egyptian desert are cut much like the traditional kameez or the contemporary Egyptian jellabah or galabia.

Transliterations starting from Punjabi often render the sibilant sound at the start of salwar/shalwar as an "s". Transliterations starting from Urdu, Lahnda, Persian, Pashto, Turkish languages use "sh". Both spellings are found in common English usage. The shalwar spelling seems to be most common in Canada and the United Kingdom, and is the preferred spelling in the Oxford English Dictionary. Salwar seems to be more common in the US and is found at many online stores selling salwar kameez. The word kameez is often spelled with an H, as in khameez.

Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Sarees

Sarees Biography 

Source:- Google.com.pk

Fashion designer Feeha Jamshed along with her friend Rizwanullah are now the creative and marketing force behind Teejay’sThe latest Party Wear Collection 2012 By Feeha Jamshed is the perfect choice to get a mesmerizing look.Feeha Jamshed aims to make party girls more enchanting with her latest Party Wear Collection 2012.
After her much coveted collection at Fashion Pakistan Week 2012, fashion designer Feeha Jamshed has created beautiful party ensembles for girls. The collection includes sophisticated frocks, long and short shirts, long silk gowns, skirts, trousers and skinny pants majorly in black and white.Famous VJ and drama artist Mahira Khan has modeled for Feeha Jamshed’s Party Wear Collection 2012.
Catch this ethereal Party Wear Collection 2012 By Feeha Jamshed to dazzle on parties.
Fashion designer Hassan Sheheryar Yasin, known as HSY presented his Pret Deluxe 2012 collection at PFDC Sunsilk Fashion Week 2012 Day 4.
HSY collection at PFDC Sunsilk Fashion Week 2012 Day 4 is based on luxury resort lifestyle of the Mediterranean. Therefore, the fabric used was quite soft and fluid such as chiffons, georgettes, grip and linens in white.
Saree, charming yet modest apparel is the only Indian outfit which has not lost its charm. Every lady looks beautiful like never in saree. Saree is the best wedding attire for every girl. Come; meet the beautiful girl in you at Samyakk. Samyakk has a rich and branded collection of sarees for all occasion. Get and buy sarees made from fabric like Georgette, chiffon, net, silk, crepe, Tussar silk, jacquard crepe, and velvet. The stylish crafts designed on the saree are: embroidery work, ghota work, appliqué, kasab work, kundan work and zari work.  The sarees are designed using the crafts according to the occasion.
Make your wedding shopping swift by purchasing saree online!! Yes, girls now you can also buy online your wedding saree at Samyakk, one stop shop for all brides. Try out e-shop your saree and enjoy free shipping at best deals and exciting discounts. A sari or saree[note 1] is a strip of unstitched cloth, worn by women, ranging from four to nine yards in length that is draped over the body in various styles which is native to the Indian Subcontinent. The word sari is derived from Sanskrit शाटी śāṭī which means 'strip of cloth' and sāḍī in Prakrit, and which was corrupted to sāṛī in Hindi. The word 'Sattika' is mentioned as describing women's attire in ancient India in Buddhist Jain literature called Jatakas. This could be equivalent to modern day 'Sari'. The term for female bodice, the choli is derived from another ruling clan from south, the Cholas. Rajatarangini (meaning the 'river of kings'), a tenth century literary work by Kalhana, states that the Choli from the Deccan was introduced under the royal order in Kashmir. The concept of Pallava, the end piece in the sari, originated during the Pallavas period and named after the Pallavas, another ruling clan of Ancient Tamilakam.
It is popular in India, Bangladesh, Pakistan, Nepal, Sri Lanka, Bhutan, Burma, Malaysia, and Singapore. The most common style is for the sari to be wrapped around the waist, with one end then draped over the shoulder, baring the midriff.

The sari is usually worn over a petticoat (called lahaṅgā or lehenga in the north; langa, pavada, or pavadai in the south; chaniyo, parkar, ghaghra, or ghagaro in the west; and shaya in eastern India), with a blouse known as a choli or ravika forming the upper garment. The blouse has short sleeves and a low neck and is usually cropped at the midriff, and as such is particularly well-suited for wear in the sultry South Asian summers. Cholis may be backless or of a halter neck style. These are usually more dressy, with plenty of embellishments such as mirrors or embroidery, and may be worn on special occasions. Women in the armed forces, when wearing a sari uniform, don a short-sleeved shirt tucked in at the waist. The sari developed as a garment of its own in both South and North India at around the same time, and is in popular culture an epitome of Indian culture. The sari signified the grace of Indian women adequately displaying the curves at the right places.Noblewoman in Mysore Sari.
HSY Luxury Resort Lifestyle Collection was enhanced with intricate glittery embellishments on neck lines and back. There were sheer trousers for both men and women as the collection consisted of both menswear and womenswear.
Hair styling for HSY collection show at PFDC Sunsilk Fashion Week 2012 Day 4 was done by Khawar Riaz whereas the styling for the collection was done by Asmaa Mumtaz.
At PFDC Sunsilk Fashion Week 2012 Day 4, HSY also launched his HSY application that aims to enable fashionistas to experience the world of HSY through mobile i.e. to know about his fashion collections, fashion shows, news and competitions.
The PFDC Sunsilk Fashion Week was produced, directed and choreographed by HSY and his team. Maheen Kardar Ali and Zara Shahjahan managed front stage whereas Kamiar Rokni and Asim Naeem looked after backstage management.

Sarees Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Sarees Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Sarees Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Sarees Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Sarees Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Sarees Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Sarees Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Sarees Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Sarees Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Sarees Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Sarees Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Cotton Salwar Kameez

Cotton Salwar Kameez Biography 

Source:- Google.com.pk

Salwar kameez is the generic term used to describe the lower garment developed in different regions. These include the Sindhi suthan, Dogri pajamma and the Kashmiri suthan.

The traditional dress of women in Sindh was the lehnga choli, of women in Kashmir was the Pheran  flowing to the ankles, and the peshwaj in Jammu for women, also flowing to the ankles. The traditional dress of women of Punjab was the ghagra choli/kurti/kameez. No one knows when and where the salwar began to be used in the sub-continent. However, the extensive and wide spread use was prevelant in the Punjab with the influence of the Mughals. Punjabis in west Punjab began to wear the suthan. Its use then spread to neighbouring Sindh, east Punjab, Jammu and Kashmir. According to elders, Punjabi women started to combine the suthan with a kurta, and sometimes with a pajamma which would be covered with a ghagra when going outdoors. This tradition, only dying out relatively late in east Punjab: approx. 1950’s circa.Over time, Punjabi’s discarded the use of the suthan in favour of the salwar to be combined with the kameez. It is this outfit which is common all over the sub-continent. and has influenced dress sense all over India People in Jammu have changed the traditional attire from the peshwaj to the kurta and Dogri pajjamma. The Pheran in Kashmir has been combined with the suthan with some people wearing the Pheran to below the knees. Kashyap Bandhu is regarded as the person responsible for spreading the use of the suthan with the Pheran amongst the communities that resisted to adopt its use, eventually leading to the use of the salwar. In Sindh, the traditional lengha choli became to be complimented with the poro and suthan. Needless to say, the suthan and the salwar is also part of men's wear. Elsewhere in India, Muslim communities have traditionally worn the style of salwar worn by the Mughals combining them with Mughal upper garments such as the jamma.

Etymology and history Reama started GOLD in 1987 in the United States. What first started as a hobby has now grown into a coveted jewellery brand, following Reama’s return to Pakistan.Presenting majestic designs for today's modern woman, Pakistani jewelry designer Reama Malik brings her latest GOLD jewelry at PFDC L'Oreal Paris Bridal Week 2011 - Day 2.Latest GOLD by Reama Malik showcased at Day 2 of PFDC L'Oreal Paris Bridal Week 2011 is entitled ‘The Mehr Collection', on Reama Malik’s daughter Mehreen. Reama Malik has crafted truly eye-catching jewelry designs that disclose the concept of timelessness and the Mughal trend. Each jewelry piece contains color coordination of red for rubies, green for emeralds and blue for sapphires. The GOLD by Reama Malik at PFDC L'Oreal Paris Bridal Week 2011 has gold, diamonds and pearls embedded with kundun and polka traditional techniques.Salwar is the generic term used to describe the lower garment developed in different regions. These include the Sindhi suthan, Dogri pajamma and the Kashmiri suthan.

The traditional dress of women in Sindh was the lehnga choli, of women in Kashmir was the Pheran flowing to the ankles, and the peshwaj in Jammu for women, also flowing to the ankles. The traditional dress of women of Punjab was the ghagra choli/kurti/kameez. No one knows when and where the salwar began to be used in the sub-continent. However, the extensive and wide spread use was prevelant in the Punjab with the influence of the Mughals. Punjabis in west Punjab began to wear the suthan. Its use then spread to neighbouring Sindh, east Punjab, Jammu and Kashmir. According to elders, Punjabi women started to combine the suthan with a kurta, and sometimes with a pajamma which would be covered with a ghagra when going outdoors. This tradition, only dying out relatively late in east Punjab: approx. 1950’s circa. Over time, Punjabi’s discarded the use of the suthan in favour of the salwar to be combined with the kameez. It is this outfit which is common all over the sub-continent. and has influenced dress sense all over India  People in Jammu have changed the traditional attire from the peshwaj to the kurta and Dogri pajjamma. The Pheran in Kashmir has been combined with the suthan with some people wearing the Pheran to below the knees. Kashyap Bandhu is regarded as the person responsible for spreading the use of the suthan with the Pheran amongst the communities that resisted to adopt its use, eventually leading to the use of the salwar. In Sindh, the traditional lengha choli became to be complimented with the poro and suthan.Needless to say, the suthan and the salwar is also part of men's wear. Elsewhere in India, Muslim communities have traditionally worn the style of salwar worn by the Mughals combining them with Mughal upper garments such as the jamma.

Shalwar kameez (also spelled shalvar kameez, salwar kameez, or shalwar qameez); is a traditional dress worn by both women and men in South Asia and specially Kazakhstan, Bangladesh , Pakistan and India/South Asia . Shalwar or salwar are loose pajama-like trousers. The legs are wide at the top, and narrow at the ankle. The kameez is a long shirt or tunic. The side seams (known as the chaak), left open below the waist-line, give the wearer greater freedom of movement.

Shalwar (with Kabuli sandals) as worn in South and Central Asia.

A man's shalwar held up to display amount of material needed.

Shalwar are gathered at the waist and held up by a drawstring or an elastic band. The pants can be wide and baggy or more narrow, and even made of fabric cut on the bias.

The kameez is usually cut straight and flat; older kameez use traditional cuts, as shown in the illustration above. Modern kameez are more likely to have European-inspired set-in sleeves. The tailor's taste and skill are usually displayed, not in the overall cut, but in the shape of the neckline and the decoration of the kameez. Modern versions of the feminine kameez can be much less modest than traditional versions. The kameez may be cut with a deep neckline, sewn in diaphanous fabrics, or styled in cap-sleeve or sleeveless designs. The kameez side seams may be split up to the thigh or even the waistline, and it may be worn with the salwar slung low on the hips. When a woman wears a semi-transparent kameez (mostly as a party dress), she wears a choli or a cropped camisole underneath it.

When women wear the salwar kameez, they usually wear a long scarf or shawl called a dupatta around the head or neck. For Muslim women, the dupatta is a less stringent alternative to the chador or burqa (see also hijab and purdah). For Sikh and Hindu women (especially those from northern India, where the salwar kameez is most popular), the dupatta is useful when the head must be covered, as in a Gurdwara or a Temple, or the presence of elders. For other women, the dupatta is simply a stylish accessory that can be worn over one shoulder or draped around the chest and over both shoulders.

The Shalwar kameez is sometimes known as "Punjabi suit," in Britain and Canada. In Britain, especially during the last two decades, the garment has been transformed from an everyday garment worn by immigrant South Asian women from the Punjab region to one with mainstream, and even high-fashion, appeal.

In India, the garment was originally confined to the North, but as a convenient and modest alternative to a sari - and also as one that flatters practically any body-type - it has become popular across the nation. By varying the fabric, color and the level of embroidery and decoration, the salwar-kameez can be formal, casual, dressy, or plain; and it can also be made to suit practically all climates.

Etymology and history

Portrait of a Hindu girl from Karachi, Sind, in narrow salwar & kameez. c. 1870. Oriental and India Office Collection, British Library.

Portrait of a Muslim girl from Karachi, Sindh, in a salwar and blouse. c. 1870. Oriental and India Office Collection, British Library.

Hill women, Kashmir, in salwar-kameez. c. 1890.

The pants, or salvar, are known as salvar salvaar or shalvaar  Gujarati, salvaar or shalvar and shalvar  The word comes from the meaning pants.

The shirt, kameez or qamiz, takes its name from the Arabic qamis. There are two main hypotheses regarding the origin of the Arabic word, namely:

that Arabic qamis is derived from the Latin camisia (shirt), which in its turn comes from the Proto-Indo-European kem (‘cloak’).

that Mediaeval Latin camisia is a borrowing through Hellenistic Greek kamision from the Central Semitic root “qmṣ”, represented by Ugaritic qmṣ (‘garment’) and Arabic qamīṣ (‘shirt’). Both of these are related to the Hebrew verb  qmṣ (‘grip’, ‘enclose with one’s hand’).

Garments cut like the traditional kameez are known in many cultures; according to Dorothy Burnham, of the Royal Ontario Museum, the "seamless shirt," woven in one piece on warp-weighted looms, was superseded in early Roman times by cloth woven on vertical looms and carefully pieced so as not to waste any cloth. 10th century cotton shirts recovered from the Egyptian desert are cut much like the traditional kameez or the contemporary Egyptian jellabah or galabia.

Transliterations starting from Punjabi often render the sibilant sound at the start of salwar/shalwar as an "s". Transliterations starting from Urdu, Lahnda, Persian, Pashto, Turkish languages use "sh". Both spellings are found in common English usage. The shalwar spelling seems to be most common in Canada and the United Kingdom, and is the preferred spelling in the Oxford English Dictionary. Salwar seems to be more common in the US and is found at many online stores selling salwar kameez. The word kameez is often spelled with an H, as in khameez.

Cotton Salwar Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Cotton Salwar Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Cotton Salwar Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Cotton Salwar Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Cotton Salwar Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Cotton Salwar Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Cotton Salwar Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Cotton Salwar Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Cotton Salwar Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Cotton Salwar Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Cotton Salwar Kameez Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Designer Suits

Designer Suits Biography

Source:- Google.com.pk

Traditional Indian clothing has come into prominence once again. Well, if you notice the trends in fashion industry, you'll realize that modern fashion has aped the styling and designing of the bygone eras, the period of royalty, when Maharajas and Ranis used to spend extravagantly on their clothing. Whatever the royals chose to go in for was reminiscent of splendor and luxury. The creative fashion designers of today are in a lookout for ethnic designs that take us close to our cultural roots and remind us of the glorious past. Well, in this section, we will provide you with information on the different kinds of traditional clothing in India, so read on…Indian Ethnic Wear.Dhoti.Dhoti kurta is the traditional Indian clothing of men. Unlike other dresses, it is an unstitched piece of cloth usually 5 yards long that is tied around the waist and legs. The knot is tied at the waist. Dhoti is known by different names at different places such as Laacha in Punjabi, dhuti in Bangla. Kurta

Kurta is a term used to refer to a long loose shirt, the length of which falls below or may be just above the knees of the wearer. In the olden times, it was primarily worn by men, but today, it has become a unisex dress that both men and women can wear. Indian Salwar Kameez

Salwar kameez is the traditional Indian clothing for women. Due to its high popularity in the region of Punjab, shalwar kameez is commonly referred to as Punjabi suit. The fashion of Shalwar Kameez in India is not new. Since the past many few centuries, women have been wearing this wonderful attire.

 Indian SariThe traditional dress of women in Sindh was the lehnga choli, of women in Kashmir was the Pheran  flowing to the ankles, and the peshwaj in Jammu for women, also flowing to the ankles. The traditional dress of women of Punjab was the ghagra choli/kurti/kameez. No one knows when and where the salwar began to be used in the sub-continent. However, the extensive and wide spread use was prevelant in the Punjab with the influence of the Mughals. Punjabis in west Punjab began to wear the suthan. Its use then spread to neighbouring Sindh, east Punjab, Jammu and Kashmir. According to elders, Punjabi women started to combine the suthan with a kurta, and sometimes with a pajamma which would be covered with a ghagra when going outdoors. This tradition, only dying out relatively late in east Punjab: approx. 1950’s circa.Over time, Punjabi’s discarded the use of the suthan in favour of the salwar to be combined with the kameez. It is this outfit which is common all over the sub-continent. and has influenced dress sense all over India People in Jammu have changed the traditional attire from the peshwaj to the kurta and Dogri pajjamma. The Pheran in Kashmir has been combined with the suthan with some people wearing the Pheran to below the knees. Kashyap Bandhu is regarded as the person responsible for spreading the use of the suthan with the Pheran amongst the communities that resisted to adopt its use, eventually leading to the use of the salwar. In Sindh, the traditional lengha choli became to be complimented with the poro and suthan. Needless to say, the suthan and the salwar is also part of men's wear. Elsewhere in India, Muslim communities have traditionally worn the style of salwar worn by the Mughals combining them with Mughal upper garments such as the jamma.

Etymology and history Reama started GOLD in 1987 in the United States. What first started as a hobby has now grown into a coveted jewellery brand, following Reama’s return to Pakistan.Presenting majestic designs for today's modern woman, Pakistani jewelry designer Reama Malik brings her latest GOLD jewelry at PFDC L'Oreal Paris Bridal Week 2011 - Day 2.Latest GOLD by Reama Malik showcased at Day 2 of PFDC L'Oreal Paris Bridal Week 2011 is entitled ‘The Mehr Collection', on Reama Malik’s daughter Mehreen. Reama Malik has crafted truly eye-catching jewelry designs that disclose the concept of timelessness and the Mughal trend. Each jewelry piece contains color coordination of red for rubies, green for emeralds and blue for sapphires. The GOLD by Reama Malik at PFDC L'Oreal Paris Bridal Week 2011 has gold, diamonds and pearls embedded with kundun and polka traditional techniques.Salwar is the generic term used to describe the lower garment developed in different regions. These include the Sindhi suthan, Dogri pajamma and the Kashmiri suthan.

The traditional dress of women in Sindh was the lehnga choli, of women in Kashmir was the Pheran flowing to the ankles, and the peshwaj in Jammu for women, also flowing to the ankles. The traditional dress of women of Punjab was the ghagra choli/kurti/kameez. No one knows when and where the salwar began to be used in the sub-continent. However, the extensive and wide spread use was prevelant in the Punjab with the influence of the Mughals. Punjabis in west Punjab began to wear the suthan. Its use then spread to neighbouring Sindh, east Punjab, Jammu and Kashmir. According to elders, Punjabi women started to combine the suthan with a kurta, and sometimes with a pajamma which would be covered with a ghagra when going outdoors. This tradition, only dying out relatively late in east Punjab: approx. 1950’s circa. Over time, Punjabi’s discarded the use of the suthan in favour of the salwar to be combined with the kameez. It is this outfit which is common all over the sub-continent. and has influenced dress sense all over India  People in Jammu have changed the traditional attire from the peshwaj to the kurta and Dogri pajjamma. The Pheran in Kashmir has been combined with the suthan with some people wearing the Pheran to below the knees. Kashyap Bandhu is regarded as the person responsible for spreading the use of the suthan with the Pheran amongst the communities that resisted to adopt its use, eventually leading to the use of the salwar. In Sindh, the traditional lengha choli became to be complimented with the poro and suthan.Needless to say, the suthan and the salwar is also part of men's wear. Elsewhere in India, Muslim communities have traditionally worn the style of salwar worn by the Mughals combining them with Mughal upper garments such as the jamma.

Shalwar kameez (also spelled shalvar kameez, salwar kameez, or shalwar qameez); is a traditional dress worn by both women and men in South Asia and specially Kazakhstan, Bangladesh , Pakistan and India/South Asia . Shalwar or salwar are loose pajama-like trousers. The legs are wide at the top, and narrow at the ankle. The kameez is a long shirt or tunic. The side seams (known as the chaak), left open below the waist-line, give the wearer greater freedom of movement.

Shalwar (with Kabuli sandals) as worn in South and Central Asia.

A man's shalwar held up to display amount of material needed.

Shalwar are gathered at the waist and held up by a drawstring or an elastic band. The pants can be wide and baggy or more narrow, and even made of fabric cut on the bias.

The kameez is usually cut straight and flat; older kameez use traditional cuts, as shown in the illustration above. Modern kameez are more likely to have European-inspired set-in sleeves. The tailor's taste and skill are usually displayed, not in the overall cut, but in the shape of the neckline and the decoration of the kameez. Modern versions of the feminine kameez can be much less modest than traditional versions. The kameez may be cut with a deep neckline, sewn in diaphanous fabrics, or styled in cap-sleeve or sleeveless designs. The kameez side seams may be split up to the thigh or even the waistline, and it may be worn with the salwar slung low on the hips. When a woman wears a semi-transparent kameez (mostly as a party dress), she wears a choli or a cropped camisole underneath it.

Sari is one of the most wonderful dresses worn by Indian women. Infact, when one thinks of a typical Indian woman, the first thing that strikes the mind is a woman clad in sari, who is wearing the solah shringar including bindi, chudi, kajal etc. Sherwani for MenSherwani is a long coat resembling achkan in styling. It is buttoned upto the collar and lengthwise it is usually below the knee. It adds to the charm and grace of men, especially the taller ones. Indian men spend lavishly on buying the sherwani suit for the special occasion of their wedding. TurbanIn India, one can spot many men wearing turban. Well, turban is tied not for the sake of fashion, but because it has a lot of significance in the lives of Indians. The hair turban is a headdress that basically consists of a long piece of unstitched cloth, which is wrapped around the head.

Designer Suits Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Designer Suits Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Designer Suits Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Designer Suits Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Designer Suits Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Designer Suits Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Designer Suits Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Designer Suits Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Designer Suits Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Designer Suits Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women

Designer Suits Punjabi Suits Neck Design 2014 Party Wear New Fasion Designs 3d Images Design By Ritu Beri Facebook For Women